1905 in British music

1905 in music
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Overview of the events of 1905 in British music
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This is a summary of 1905 in music in the United Kingdom.

Events

  • 2 January – Hans Richter conducts the Hallé Orchestra in Sibelius’ Second Symphony, the first performance in Britain of any Sibelius symphony.
  • 15 February – The first two Dante Rhapsodies, Op. 92 by Charles Villiers Stanford ('Beatrice' and 'Capaneo'), are performed for the first time in the Bechstein Hall by Percy Grainger. The third, 'Francesca', is performed at the next concert on 25 March.
  • 27 February – The Knights of the Road, an operetta by Sir Alexander Mackenzie, is produced in London at the Palace Theatre.[1]
  • 1 March – Incidental music to The Clouds (Aristophanes) by Hubert Parry is performed for the first time at the University of Oxford.
  • 2 March – The first performance of York Bowen‘s Concertstück for Clarinet, Horn, String Quartet and Piano takes place at the Aeolian Hall in London with the composer at the piano.
  • 8 March – Sir Edward Elgar conducts the London Symphony Orchestra in the first performance of his Introduction and Allegro for string quartet and string orchestra, and of his third Pomp and Circumstance March. Arnold Bax is in the audience.[1]
  • 10 March – Thomas Dunhill‘s Piano Quintet in C minor, op 20, is first performed at the Bechstein Hall.
  • 16 March – In the first of a series of Birmingham lectures entitled A Future for English Music, Edward Elgar attacks some current English composers, without actually naming them, and points to the poor reputation that English music has abroad. Formerly friends, Elgar and Stanford cease communication.[2]
  • March – Percy Grainger attends a lecture by Lucy Broadwood and becomes interested in collecting folk songs.[3]
  • 4 April – The first performance of an orchestral work by Arnold Bax, Connemara Revel, is performed at the Queen’s Hall, as part of a student concert put on by the Royal Academy of Music.
  • 11 April – Percy Grainger visits Brigg in Lincolnshire and notes down his first folks songs.[3]
  • 24 April – The incidental music Pan’s Anniversary (Jonson) by Ralph Vaughan Williams is performed for the first time at Bancroft Gardens, Stratford-upon-Avon conducted by the composer. Gustav Holst contributes orchestrations of keyboard music and traditional melodies.
  • 20 May – The Capriccio No 1 for piano by Frank Bridge is performed for the first time in the Bechstein Hall. soloist Mark Hambourg.
  • 9 June – Edward Elgar and his wife board The Deutschland at Dover for a voyage to America. They arrive in New York six days later.
  • 15 June – A Sea Idyll for piano by Frank Bridge is performed for the first time, in the Bechstein Hall.
  • 28 June – Edward Elgar receives an honorary doctorate at Yale University. Yale music professor, Horatio Parker plays Pomp and Circumstance March No 1 on the organ.
  • 29 June – The Mystic Trumpeter, Op. 18 for soprano and orchestra by Gustav Holst, setting Walt Whitman, is performed for the first time in Queen’s Hall, conducted by the composer.
  • 11 July – Edward Elgar and his wife board ship in New York bound for Liverpool.
  • 24 July – At the Grand Hotel, Eastbourne, Claude Debussy begins a five week stay (until 30 August), escaping the scandal at home surrounding his broken marriage. His pregnant mistress, Emma Bardac, accompanies him. While there (in Suite 200, now known as the Debussy Suite), he completed the orchestration of La Mer and made corrections to the score. The first performance takes place in Paris on 15 October, the UK premiere has to wait until 1 February 1908. Debussy also completes another “water” piece while in Eastbourne, Reflets dans l’eau.
  • 28 August – The first performance of Scottish composer Hamish MacCunn‘s dramatic cantata The Wreck of the Hesperus, setting words by Longfellow, tales place at the London Coliseum. There are multiple further performances between August and October.
  • 19 September – The fifth symphonic poem of Scottish composer William Wallace is given at the Queen’s Hall, London.
  • 21 October – The Fantasia on British Sea Songs, arranged by Sir Henry Wood to commemorate the centenary of the Battle of Trafalgar, is performed for the first time, by the Queen's Hall Orchestra at a Promenade Concert.[4][5]
  • 25 October – The first performance of Bohemian Songs for baritone and orchestra by Joseph Holbrooke is conducted by the composer at the Norwich Festival.
  • 26 October – The Pied Piper of Hamelin, a cantata by Hubert Parry , setting the poem by Robert Browning, is performed for the first time in Norwich.
  • 29 October – The first concert of the New Symphony Orchestra of London, a player-run orchestra formed mainly from graduates of the Royal College of Music from the `1890s, takes place at the Coronet Theatre in London’s Notting Hill. The NSO, associated with the early career of Thomas Beecham, becomes a specialist recording orchestra, and the “house” orchestra of the Gramophone Company between 1909 and 1930.
  • 2 December – At the invitation of Granville Bantock, Jean Sibelius makes his first visit to England, conducting his Symphony No 1 and Finlandia in Liverpool.
  • 14 December – The first performance of Ralph Vaughan Williams’ Piano Quintet in C minor takes place at the Aeolian Hall.
  • 18 December – Hubert Parry is knighted.
  • date unknown – German-born George Henschel becomes organist of the German Embassy Church in London.[6]

Popular music

  • 26 June – Music hall stars Frank Leo and Sable Fern are married in Southwark, and form a double act, three years after the suicide of her estranged husband Walter "Watty" Allan created a scandal.[7]
  • "I Love a Lassie", by Harry Lauder[8]
  • "Welcome Home, Sailor Boy!", by C. W. Murphy

Classical music: new works

Opera

  • Amherst Webber – Fiorella[12]

Musical theatre

Births

Deaths

See also

References

  1. ^ a b Slonimsky, Nicolas (1994). Music Since 1900, 5th ed. Schirmer.
  2. ^ Edward Elgar. A Future for English Music, and Other Lectures, Dobson, 1968
  3. ^ a b Tim Rayborn (15 April 2016). A New English Music: Composers and Folk Traditions in England's Musical Renaissance from the Late 19th to the Mid–20th Century. McFarland. pp. 199–. ISBN 978-1-4766-2494-5.
  4. ^ Kennedy, Michael & Joyce; Rutherford-Johnson, Tim (2012). Oxford Dictionary of Music. Oxford: Oxford University Press. pp. 279–280. ISBN 978-0-19-957854-2.
  5. ^ "Proms 1905, Prom 55". BBC. Retrieved 4 July 2015.
  6. ^ Maggie Humphreys; Robert Evans (1 January 1997). Dictionary of Composers for the Church in Great Britain and Ireland. A&C Black. p. 159. ISBN 978-0-7201-2330-2.
  7. ^ Baker, Richard (2014). British music hall : an illustrated history. South Yorkshire, England: Pen and Sword History. p. 129. ISBN 9781783831180.
  8. ^ Don Tyler (2 April 2007). Hit Songs, 1900-1955: American Popular Music of the Pre-Rock Era. McFarland. pp. 36–. ISBN 978-0-7864-2946-2.
  9. ^ Maggie Humphreys; Robert Evans (1 January 1997). Dictionary of Composers for the Church in Great Britain and Ireland. A&C Black. p. 85. ISBN 978-0-7201-2330-2.
  10. ^ Mary Christison Huismann (2009). Frederick Delius: A Research and Information Guide. Routledge. pp. 7–. ISBN 978-0-415-99364-7.
  11. ^ Alain Frogley; Aidan J. Thomson (14 November 2013). The Cambridge Companion to Vaughan Williams. Cambridge University Press. pp. 106–. ISBN 978-0-521-19768-7.
  12. ^ Paul Rodmell (13 May 2016). Opera in the British Isles, 1875–1918. Taylor & Francis. pp. 426–. ISBN 978-1-317-08544-7.
  13. ^ "1905". The Guide to Musical Theatre. Retrieved 13 June 2018.
  14. ^ "The White Chrysanthemum". The Guide to Musical Theatre. Retrieved 2 September 2021.
  15. ^ Paul Driver (10 January 1998). "Obituary: Sir Michael Tippett". The Independent. Archived from the original on 2022-05-01. Retrieved 5 March 2019.
  16. ^ Winchester's Screen Encyclopedia. Winchester Publications. 1948. p. 151.
  17. ^ Evelyn Mack Truitt (1 July 1977). Who was who on screen. Bowker. p. 71. ISBN 978-0-8352-0914-4.
  18. ^ David Mason Greene (1985). Greene's Biographical Encyclopedia of Composers. Reproducing Piano Roll Fnd. p. 1344. ISBN 978-0-385-14278-6.
  19. ^ Bruce R. Schueneman (1997). Minor Ballet Composers: Biographical Sketches of Sixty-six Underappreciated Yet Significant Contributors to the Body of Western Ballet Music. Psychology Press. p. 54. ISBN 978-0-7890-0323-2.
  20. ^ John C. Dressler (March 2013). William Alwyn: A Research and Information Guide. Routledge. p. 1. ISBN 978-1-136-66003-0.
  21. ^ British Film and Television Yearbook. British and American Film Press. 1956. p. 45.
  22. ^ Tyler, Don (2008). Music of the postwar era. Westport, Conn: Greenwood Press. p. 199. ISBN 9780313341915.
  23. ^ Fred Hartley piano solos, Celtic Music. Retrieved 17 September 2010
  24. ^ Randel Don (1996). The Harvard Biographical Dictionary of Music. Harvard University Press. p. 196. ISBN 978-0-674-37299-3.
  25. ^ David Ewen (1958). Complete Book of the American Musical Theater. Holt. pp. 44–46. 82625-0918.
  26. ^ Maggie Humphreys; Robert Evans (1 January 1997). Dictionary of Composers for the Church in Great Britain and Ireland. A&C Black. p. 180. ISBN 978-0-7201-2330-2.
  27. ^ Maggie Humphreys; Robert Evans (1 January 1997). Dictionary of Composers for the Church in Great Britain and Ireland. A&C Black. p. 219. ISBN 978-0-7201-2330-2.
  28. ^ Tony Joseph (2005). Emmie Owen and Florence Perry: "maidenly perfection". Bunthorne Books. ISBN 978-0-9507992-7-8.
  29. ^ Maggie Humphreys; Robert Evans (1 January 1997). Dictionary of Composers for the Church in Great Britain and Ireland. A&C Black. p. 166. ISBN 978-0-7201-2330-2.
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